Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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BOSCH, Hieronymus
St Jerome in Prayer gfjgh

ID: 05258

BOSCH, Hieronymus St Jerome in Prayer gfjgh
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BOSCH, Hieronymus St Jerome in Prayer gfjgh


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BOSCH, Hieronymus

Netherlandish Northern Renaissance Painter, ca.1450-1516 Bosch produced several triptychs. Among his most famous is The Garden of Earthly Delights. This painting depicts paradise with Adam and Eve and many wondrous animals on the left panel, the earthly delights with numerous nude figures and tremendous fruit and birds on the middle panel, and hell with depictions of fantastic punishments of the various types of sinners on the right panel. When the exterior panels are closed the viewer can see, painted in grisaille, God creating the Earth. These paintings have a rough surface from the application of paint; this contrasts with the traditional Flemish style of paintings, where the smooth surface attempts to hide the fact that the painting is man-made. Bosch never dated his paintings and may have signed only some of them (other signatures are certainly not his). Fewer than 25 paintings remain today that can be attributed to him. Philip II of Spain acquired many of Bosch's paintings after the painter's death; as a result, the Prado Museum in Madrid now owns several of his works, including The Garden of Earthly Delights.   Related Paintings of BOSCH, Hieronymus :. | del av lustarnas tradgard | The adoration of the three Kings | Der Garten der Luste.Ausschnitt:Das Paar in der Kugel | The Garden of Earthly Delights | Der Garten der Luste |
Related Artists:
Johan Werder
Germany
Philippe de Momper
Flemish , Antwerp circa 1610/15-1675
Lorenzo Monaco
Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.






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